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There are few things linear about The Doors' career arc, and that's largely because Jim Morrison was assuredly not a linear person. Although reviews were mixed and the album was a bit more rock-based than jam-based, fans still embraced it, and although the Grammys failed to include Moore on the In Memoriam reel that year, "Big Whiskey" still ended up getting a nomination for Album of the Year. were crushed by the news, which is why "Big Whiskey & the GrooGrux King" was designed as a tribute to Moore, as "GrooGrux" was a made-up word to describe the kinetic energy shared among Moore, Tim Reynolds, and Tim Wicks. Yet when he was in an ATV accident in 2008, his healing and re-hospitalizations are what ultimately led to his passing in August of that year. LeRoi Holloway Moore was one of the band's founding members and a dynamite saxophonist whose fingerprints are all over DMB'd discography. While Dave Matthews is the chief songwriter and figurehead for the Dave Matthews Band, even he knows the "Band" part of the equation is what made the group what it is today, as DMB is a tight, eclectic unit of profoundly talented musicians who often elevate Matthews' songs to new heights. A saving grace came with the Jackson estate's second stab at a posthumous record, as 2014's "Xscape" at least featured some raw takes of songs like "Love Never Felt So Good" that rank among his greatest recorded works. That's bad." He wasn't wrong: The resulting album, with dated Akon collaborations (Akon saying his own name is the first word you hear on this record), subpar ballads and guest verses that make no sense (50 Cent sounds just as confused as to why he's here) all add up to a record that simply shouldn't have been released. How you gonna release Michael Jackson when Michael Jackson ain't here to bless it?. Heck, even the Black Eyed Peas' will.i.am, who himself worked on some remixes for the 25th-anniversary re-release of "Thriller," said in interviews that "I don't think that should ever come out. While it was rumored that Jackson was working on material for a new record before his passing in 2009, tracks "in the can" didn't necessarily mean they were worthy of release. Completionists can sort through these dozen songs for some gems, but an essential entry into Prince's discography it is not. It's not so much a bad record as it is deeply unengaging, sounding sonically indistinguishable from latter-day Prince full-lengths like "20Ten". Upbeat numbers like "Hot Summer" felt like they were ready to be shipped to radio, but wannabe anthems like "Stand Up and B Strong" feel surprisingly sparse and undercooked. Recorded in 2010 with bassist Tal Wilkenfeld, keyboardist Morris Hayes, and drummer Chris Coleman, this laid-back, surprisingly understated record remains a bit of a head-scratcher, as no one is unclear if the released record was "finished" or not.
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While his estate has done a surprisingly extraordinary job of unleashing a torrent of thoughtfully-curated rarities (like the excellent "Originals" disc, featuring the demos he recorded of songs that were given to others), the announcement of the unheard new studio release "Welcome 2 America" was a surprise to many. While Prince would have disapproved of having his entire videography available on YouTube, his music has managed to reach a whole new generation of listeners, and it's hard to be mad about that. It feels like a perfect final act from one of rap music's all-time greats.Īs always, Prince's posthumous legacy is something that's difficult to wrestle with. "Thought I'd chop you out, son, see how you're doin'," he says to the late J Dilla on "Dear Dilla", "Come back to earth, homie / Hip-hop is in ruins." There's smart samples, funky beats, and even some light orchestration to give buoyancy to Phife Dawg's rhymes.
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Featuring a rogue's gallery of producers (9th Wonder, J Dilla, the always-underrated Potatohead People) and superstar guests (Q-Tip, Busta Rhymes, Little Brother, Redman, Dwele), the sepia-toned memories of "Forever" point to an era of rap music that simply doesn't exist anymore. Given his only other solo offering came in 2000 and seemed to take not-so-thinly-veiled shots at bandmate Q-Tip, it's a delight to hear the two work again on "Forever", which is filled with warm vibes and a love of old-school beats. Yet while working with his old crew, he was also working on what would be his second-ever solo album, "Forever", which would finally see the light of day in 2022. Prior to his passing in March 2016, the great Phife Dawg managed to complete his contributions to A Tribe Called Quest's final album, the instant classic that was "We Got It from Here.
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